I have decided that the next two books on my list can share a post because neither really warrants their own. I’ll try to make it short.
Wondrous Strange by Lelsey Livingston
Ooh! A book about a young teenage girl and fairies and maybe even the dark side of the fairy court!
Well, yes. Technically. This book did nothing for me, sorry to say. It was another that could have been decent but the author missed the target.
Basic premise: An aspiring 17 year old actress living on her own (well, with a roommate) in New York City and trying to make it big gets her big break when she gets bumped from understudy to lead in A Midsummer Night’s Dream. Then she meets a boy. What she doesn’t know is that, though technically mortal (he was baby-snatched by fairies), he is a member of king Auberon’s super special annual guard on the gate to Faerie that opens up every Halloween. But there’s something he doesn’t know about her, too…well, she doesn’t know it either, so she’s got two secrets being kept from her.
Fun premise, but I felt that the mystical elements were dealt with badly –Livingston tried to include the evil and intrigue present in the other realm but the story just kept coming across as silly, and half the people that the heroine easily trusted and I expected to double-cross her ended up being just as trustworthy as they claimed to be. And the guards (who, having lived in Faerie for a while are quite long-lived) would regularly switch between Olde English and modern slang. Annoying. And the super protective aunt of the protagonist let her live in New York pretty much on her own at 17. Definitely not the best YA fairytale out there. 
The Year My Sister Got Lucky by Aimee Friedman
Okay, so…in the realms of straight YA fiction (no fantastic elements) I suppose that this book wasn’t DREADFUL…I DID want to find out what happened…but again…meh.
A pair of sisters who grew up in NYC getting trained at the mad prestigious (insert fictional ballet school name here) are suddenly uprooted against their will by their parents who decide to move to the rural UPSTATE. Oh the horror. The person telling the story is the younger sister who is both a bit of a brat and a bit of a drama queen. And has a really hard time letting things go. She grew up in The City and just doesn’t know what to do with herself in the ‘burbs.
She does have a lot of valid points and observations. A lot of her protests are understandable and I agree that her family treats her unfairly on a lot of levels. But she’s very unobservant and did I mention her inability to let go of things?
There are a few aspects of this book that didn’t really strike a an honest chord with me, too…the main character is just starting high school and hasn’t ever really noticed boys before. I don’t know about you, gentle reader, but I started noticing boys in grade 3, if not before. She’s supposed to be so very into her ballet that boys have no meaning for her, but seriously… Also, the new bff she hesitantly makes in her new town ends up getting angry and throwing her out on her ear for snooping into her older sis’s private email. I don’t know if I’ve ever met a freshman that moral — and isn’t that the kind of thing that siblings are just supposed to do to each other?
Anyway, if you really love both ballet and YA, you might enjoy this book…but otherwise it will probably fail to thrill.
Up next– some GOOD books!
since I last threw in 
cool diseases–but they really failed to coalesce into anything I loved. One problem I can put my finger on was Sagan’s use of a plot device that I personally find disruptive and frustrating — each book began in a place that was a number of years later than the end of the previous book and covered the intervening years with a few paragraphs of information about how the plot moved on without me. I was able to excuse this in the case of 

