Archive for June 12th, 2009

12
Jun

two young adult novels that did not excite me

I have decided that the next two books on my list can share a post because neither really warrants their own.   I’ll try to make it short. 

Wondrous Strange by Lelsey Livingston

Ooh!  A book about a young teenage girl and fairies and maybe even the dark side of the fairy court! 

Well, yes.  Technically.  This book did nothing for me, sorry to say.  It was another that could have been decent but the author missed the target. 

Basic premise:  An aspiring 17 year old actress living on her own (well, with a roommate) in New York City and trying to make it big gets her big break when she gets bumped from understudy to lead in A Midsummer Night’s Dream.  Then she meets a boy.  What she doesn’t know is that, though technically mortal (he was baby-snatched by fairies), he is a member of king Auberon’s super special annual guard on the gate to Faerie that opens up every Halloween.  But there’s something he doesn’t know about her, too…well, she doesn’t know it either, so she’s got two secrets being kept from her. 

Fun premise, but I felt that the mystical elements were dealt with badly –Livingston tried to include the evil and intrigue present in the other realm but the story just kept coming across as silly, and half the people that the heroine easily trusted and I expected to double-cross her ended up being just as trustworthy as they claimed to be.  And the guards (who, having lived in Faerie for a while are quite long-lived) would regularly switch between Olde English and modern slang.  Annoying.  And the super protective aunt of the protagonist let her live in New York pretty much on her own at 17.  Definitely not the best YA fairytale out there. 

The Year My Sister Got Lucky by Aimee Friedman

Okay, so…in the realms of straight YA fiction (no fantastic elements) I suppose that this book wasn’t DREADFUL…I DID want to find out what happened…but again…meh. 

A pair of sisters who grew up in NYC getting trained at the mad prestigious (insert fictional ballet school name here) are suddenly uprooted against their will by their parents who decide to move to the rural UPSTATE.  Oh the horror.  The person telling the story is the younger sister who is both a bit of a brat and a bit of a drama queen.  And has a really hard time letting things go.  She grew up in The City and just doesn’t know what to do with herself in the ‘burbs. 

She does have a lot of valid points and observations.  A lot of her protests are understandable and I agree that her family treats her unfairly on a lot of levels.  But she’s very unobservant and did I mention her inability to let go of things? 

There are a few aspects of this book that didn’t really strike a an honest chord with me, too…the main character is just starting high school and hasn’t ever really noticed boys before.  I don’t know about you, gentle reader, but I started noticing boys in grade 3, if not before.  She’s supposed to be so very into her ballet that boys have no meaning for her, but seriously…  Also, the new bff she hesitantly makes in her new town ends up getting angry and throwing her out on her ear for snooping into her older sis’s private email.  I don’t know if I’ve ever met a freshman that moral — and isn’t that the kind of thing that siblings are just supposed to do to each other? 

Anyway, if you really love both ballet and YA, you might enjoy this book…but otherwise it will probably fail to thrill.   

Up next– some GOOD books!

12
Jun

Idlewild, Edenborn, everfree

Despite my best intentions…well, we know all about those, don’t we?

Anyway, I have fallen behind yet again have read more than a few books since I last threw in my two cents on ‘How to Ditch your Fairy’…because of my tendency to ramble on, rather than one mega-post I am going to give a few individual book/series reviews this time around and let that be a lesson to me.  Or something.

Right after the above mentioned underwhelming bit of YA Fantasy, I decided to re-enter the realm of Nick Sagan’s ’Idlewild’ trilogy.  I read the first book over a year ago, but at the time the last 2/3 of the trilogy hadn’t yet been released or I hadn’t yet gotten my hands on them…for whatever reason, I was only able to read the first book.  As I remembered the story as being somewhat more than fluffy, I decided to start back at the beginning and refresh my mind to all the events, characters, motivations and back-stabbing therein, then move on from there.

Much as I did the first time around, I found Idlewild (the first book) intriguing, promising, exciting and occasionally tragic. 

Our story begins auspiciously with a young man waking up in a graveyard unable to remember anything but sure that someone is trying to kill him.  He eventually recalls that his name (or at least the moniker that he has adopted) is Halloween and that the dark landscape he inhabits and the Lovecraftian horrors that wander through it are all of his own design and by his own choice.  His own little spook-tastic world.  There are others, each with their own hand-crafted homes–some are his friends or allies and others his mortal enemies.  As he works to piece together his missing synapses, we learn and he re-learns about his world, which is actually part of a full immersion virtual reality school that he has attended since he was a child.  His friends and enemies are his classmates–gifted children like him that each have agendas and pathos that Halloween rediscovers as he untangles the threads that lead to the danger in their midst.

A very promising beginning.

Unfortunately, books two and three really failed to deliver for me.  The necessary elements were present–dystopian future, brilliant young people, cool diseases–but they really failed to coalesce into anything I loved.  One problem I can put my finger on was Sagan’s use of a plot device that I personally find disruptive and frustrating — each book began in a place that was a number of years later than the end of the previous book and covered the intervening years with a few paragraphs of information about how the plot moved on without me.  I was able to excuse this in the case of The Black Jewels trilogy, and the Last Herald Mage books, I think because the story was so character driven that while it was annoying to miss the intervening years, we were soon emotionally tied to the characters once again.  Sagan seems to intentionally disrupt attachment–in book one we are exclusive visitors in the mind of angsty goth-boy Halloween and grow quite attached to him, with brief commercial breaks from our sponsors.  He is almost entirely absent from the second book, where we are dumped into the center of a new crisis and we are driven around a lot by brand new characters…most of whom do not feature in the third book, where we take once again get to take a back seat in the mind of (much older) Halloween, and various others.  I understand Sagan’s reasons for cutting Hal out of the plot in book two, and why he jumps ahead many years–he’s going where the story is…but it still didn’t work for me.

I wouldn’t call this story terrible by any stretch of the imagination–cool stuff happens, interesting points are pondered and good questions raised.  It IS decent sci/fi and I love a dystopian future as much as the next girl.  I just wasn’t able to get really engaged in this series, and I blame Sagan’s writing choices for that.  Every time I was able to make a connection as a reader, he took that connection away and gave me something else.  An interesting series to be sure, but certainly not one that kept me up reading until stupid-o-clock or needed to be pried from my fingers at meal times.





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